With A Kite - History Of The Kite Animation Narrated by Sir Richard Branson from Jewell&Ginnie on Vimeo.

Excerpt from the feature length documentary WITH A KITE
Learn more about the film at withakite.com
AVAILABLE MARCH 4TH ON VIMEO ON DEMAND

The Sound of Taste from Grey London on Vimeo.

An audio visual installation in association with Schwartz Flavour Shots, an innovative new
range of herb and spice blends locked in oil. What does flavour look like? How does it
sound? These are the questions that inspired herb and spice experts, Schwartz, to create
what they describe as a ‘Sonic Flavourscape’.

Several tons of black peppercorns, cardamom, turmeric, paprika, cumin seeds, ginger, chilli
and coriander were rigged to explode in perfect sync with a bespoke musical composition.
Each explosion represents an individual piano note or chord, which when filmed at high
speed, creates a surreal three dimensional sound scape.

The project bought together an eclectic collective of creative collaborators. DJ/Producer
MJ Cole was approached to translate the sensation of taste into a musical composition.
Film maker Chris Cairns and pyrotechnic designers, ‘Machine Shop’, then went to work
turning this sound into a physical scale.

BROWSERCIZE Demo from trytobegood on Vimeo.

BROWSERCIZE is an exercise incentivization prototype. Presented by NET-NASTICS.

For more information: trytobegood.com/category/browsercize/

video Fei Liu + Denis Sharabarin
location Your Way Cafe
music “Make It Drums” by Daedelus (daedelusmusic.com/)
music “Laundromatted” by Lawrence Grey
(freemusicarchive.org/music/Lawrence_Grey/Bonus_Beat_Blast_2011/47_lawrence_grey-laundromatted)

Mataerial Color Programming from Mataerial on Vimeo.

Unlike FDM 3d printers that require filament change in order to change the color, or Inkjet head 3d printers that drop the color on the powder, we inject the color dye directly into the source material, right before it exits the nozzle. This allows changing color as many times as needed without stopping the printing process. It can be pre-programmed and input from the CAD software or changed manually by the user in real-time mode.

More on mataerial.com/blog

Music: The XX - Reconsider (Jamie XX Remix)

Mataerial Introduction from Mataerial on Vimeo.

MATAERIAL is the result of the collaborative research between Petr Novikov, Saša Jokić from the Institute for Advanced Architecture of Catalonia (IAAC) and Joris Laarman Studio. IAAC tutors representing Open Thesis Fabrication Program provided their advice and professional expertise. During the course of the research we developed a brand new digital fabrication method and a working prototype that can open a door to a number of practical applications. The method that we call Anti·gravity Object Modeling has a Patent-Pending status.

mataerial.com

Soundtrack: Mémoire - La Mer
soundcloud.com/memoiremusic

PEGA@Milan_Happy Together from PEGA D&E on Vimeo.

THE ABYSS from Guillaume Coquoz on Vimeo.

ecal 2010
-
c-c-t-c.com/theabyss
The Abyss is a collective work made during a one week workshop with Andreas Gysin around ‘Processing’. The goal was to build a deep-sea environment by creating some algorithmic creatures. At the end of the week, all the creatures were gathered together to create the final environment.

oscillating continuum from RYOICHI KUROKAWA on Vimeo.

oscillating continuum
RYOICHI KUROKAWA

Audiovisual installation
2013
2 square displays | 2ch sound
Duration: 08’00” Loop

Actelion Imagery Wizard from onformative on Vimeo.

A corporate imagery tool for Actelion Pharmaceuticals

For the rebranding of Actelion, a biopharmaceutical company, we developed a tool for automatic image generation that enables the generation of a unique, in-itself homogeneous graphic image world out of heterogeneous visual material.

“Create a new identity for our brand Actelion. Don’t touch the logo, but create something the world of pharma has not seen before.” Based on the idea “From medical industry to medical magic,” a new image was developed that rendered medicine’s invisible magical moment visible. Here, the new imagery is based on the smallest possible unit: digital molecules. These capture the magical moment when new medicine arises from molecules; innovative design for a company that supplies the world with innovations. We worked closely together with Interbrand in creating the graphic imagery and developed a software, that enables the targeted creation of graphic images based on photographs, whose visual information contained in the tool is translated into graphic elements such as points, lines and curves using special algorithms.

in cooperation with Interbrand Zürich

onformative.com/work/actelion-imagery-wizard

more images on flickr:
flickr.com/photos/onformative/sets/72157627278219485

Actelion Imagery Wizard from onformative on Vimeo.

A corporate imagery tool for Actelion Pharmaceuticals

For the rebranding of Actelion, a biopharmaceutical company, we developed a tool for automatic image generation that enables the generation of a unique, in-itself homogeneous graphic image world out of heterogeneous visual material.

“Create a new identity for our brand Actelion. Don’t touch the logo, but create something the world of pharma has not seen before.” Based on the idea “From medical industry to medical magic,” a new image was developed that rendered medicine’s invisible magical moment visible. Here, the new imagery is based on the smallest possible unit: digital molecules. These capture the magical moment when new medicine arises from molecules; innovative design for a company that supplies the world with innovations. We worked closely together with Interbrand in creating the graphic imagery and developed a software, that enables the targeted creation of graphic images based on photographs, whose visual information contained in the tool is translated into graphic elements such as points, lines and curves using special algorithms.

in cooperation with Interbrand Zürich

onformative.com/work/actelion-imagery-wizard

more images on flickr:
flickr.com/photos/onformative/sets/72157627278219485

Google Faces - searching for faces on Google Maps using face recognition from onformative on Vimeo.

The video shows the application in action while searching for faces on Google Maps.
For more information and some of the faces that it found, check out :
onformative.com/lab/googlefaces/

MB.Showcase from Amnon Owed on Vimeo.

Made with Processing + GLGraphics, Toxiclibs & controlP5

Special thanks to: Andres Colubri, Karsten Schmidt & Andreas Schlegel

Blog post: amnonp5.wordpress.com/2012/06/17/playing-with-glsl-in-processing/

Music: bignic.bandcamp.com/track/sorry

(To view in high quality, download the full hd 1920x1080 video)

CAN Geometry Textures Shaders from Amnon Owed on Vimeo.

Geometry, Textures & Shaders Tutorial for CreativeApplications.net

Blog post: creativeapplications.net/processing/geometry-textures-shaders-processing-tutorial/

Source code: github.com/AmnonOwed

Music: Two Door Cinema Club - Someday

(To view in high quality, download the full hd 1920x1080 video)

Memopol-1 from Timo Toots on Vimeo.

Memopol-1 is an interactive installation that maps visitor’s personal information field. It queries different databases and analyses the results. Read more at timo.dart.ee/works/memopol/

#dramaticmusicwhat? #minustypeface #stillmyfaveschool

Stormcloud: SCI-Arc 40th Anniversary Pavilion, Oyler Wu Collaborative from Oyler Wu Collaborative on Vimeo.

oylerwu.com
facebook.com/oylerwu
sciarc.edu

Project Description

Designed and built by the office of Oyler Wu Collaborative along with students of the Southern California Institute of Architecture, Stormcloud is the third project in a series of installations designed for SCI-ARC. The previous two installations, Netscape and Centerstage were designed for the school’s graduation ceremonies in 2011 and 2012 respectively. With SCI-Arc celebrating its 40th anniversary, the school commissioned the new pavilion for the after-party of its April 2013 gala. Tasked with the challenge of revamping the existing Netscape pavilion, Oyler Wu Collaborative saw the project as an opportunity to take a completely different approach to the problem. By removing the ten miles of knitted ropes that once hung between the soaring steel trusses, the project was transformed both volumetrically and materially. Using a minimal amount of new steel elements and cable supports, a spandex fabric was stretched between the elements, giving the pavilion a new life and an unexpected volumetric presence.

Geometrically, the project involves a series of funnel-like forms that extend from the rectilinear canopy structure above to a series of rings that are hung from the columns at around eye level. In the original conception of the project, the rings were simple geometric loops, but this relatively straight-forward geometric approach presented a difficult problem in terms of fabric patterning. At the heart of the problem was the dramatic difference in the circumference between the upper portion of the canopy and the lower rings. As a way of dealing with the problem, the eye-level rings were converted to more eccentric shapes made of a bent steel tubing. With the circumference of the eccentric shapes carefully sized to match the circumference of the upper canopy, the strategy effectively eliminated the need for patterning of fabric, while producing an undulating, curtain-like effect on the surface of the funnels.

One of the more striking features of the scheme is the oscillation between the reading of lines (in the structural system), surface (revealed at the base of the funnels), and volume (most present in the overall external view of the pavilion) . What begins as a reading of volume ultimately reveals a system of deep spatial cavities through which an intricate structural system moves in and out of view. These qualities are accentuated further by both natural and artificial lighting effects. The thinness and the lightweight color of the fabric produces a changing set of effects as natural lighting conditions change throughout the day. The fabric is at times translucent with a ghostly network of structure revealed beyond , and at other times opaque with dramatically warped shadows cast across the undulating surfaces. The lighting for the after-party was an opportunity to take that one step further, using changing color gradients to highlight the eccentric forms at the bottom funnels.

Video Production:
Luisa Martinez, Mike Piscitello, Patrice Chang, Adam Fujioka, Dwayne Oyler, Jenny Wu

Project Design and Fabrication Team (Oyler Wu Collaborative):
Dwayne Oyler, Jenny Wu, Mike Piscitello, Huy Le, Sanjay Sukie

Project Fabrication and Documentation Team (SCI-Arc): Sandra Reyes, Justin Tan, Jennie Sun, Dan Lu, Daniel Lee, Helena Yun, Noni Pettinger, Jonathan Bruen, Jocelyn Basseporte, Justin Kim, Vaishail Shah, Adam Fujioka, Arnold Kim, Melody Javahevian, Jacky Huang, Patrice Chang, Cody Miner, Shawn Rassekh, Bailey Shugart, Ryan Roark, Chuck Diep, Jennifer Diep, Cathy Qu, Elliott Freeman, Matt Pugh, Deysi Blanco, Stephen Rafferty

Structural Engineering: Nous Engineering, Matt Melnyk

Photography: Scott Mayoral, Art Gray, Clifford Ho, Dwayne Oyler